Stream Of Consciousness Essay Example

Definition of Stream of Consciousness

When used as a term in literature, stream of consciousness is a narrative form in which the author writes in a way that mimics or parallels a character’s internal thoughts. Sometimes this device is also called “internal monologue,” and often the style incorporates the natural chaos of thoughts and feelings that occur in any of our minds at any given time. Just as happens in real life, stream-of-consciousness narratives often lack associative leaps and are characterized by an absence of regular punctuation.

The term “stream of consciousness” first came about in 1890 when the philosopher and psychologist William James used it in his book, The Principles of Psychology. He used it to describe the natural flow of thoughts that, even while the different parts are not necessarily connected, the brain does not distinguish one thought as strictly independent from the next. May Sinclair was the first person, in 1918, to adapt the definition of stream of consciousness to literature.

Difference Between Stream of Consciousness and Free Writing

The activity of free writing is a technique to remove inhibitions from creativity. Free writing encourages a writer to get words down on paper without editing or worrying about the product, knowing that most of it will not necessarily be all that interesting. Stream of consciousness, on the other hand, is writing that has been polished and has a purpose, even while giving the impression that it is somewhat “random.” Authors who use the technique of stream of consciousness do so with intentions to guide the character from one place to the next internally and not just let the character’s thoughts go haywire.

Common Examples of Stream of Consciousness

All of us experience the sensation of stream of consciousness on a daily basis when we are alone with our thoughts. For example, imagine the following situations:

  • “Let’s see, what else do I need to buy? I’ve got chips, chocolate…oh, and I need to get that awful prune juice for Harold. I can’t believe he actually thinks this cleanse thing is gonna work. And to think he wanted me to do it with him. As if I need to lose weight. Hmm, I wonder how late the gym is open tonight.”
  • “I’ve got to get this spreadsheet done by the meeting. I hope Miller likes it better than last time. I can’t believe he liked Joe’s work better. What a brown-noser. And he’s wearing the stupidest suit today. Oh shoot, I’ve got a mustard stain on my sleeve.”

Significance of Stream of Consciousness in Literature

Stream of consciousness is a device that gained popularity in twentieth-century literature. There are some examples of stream of consciousness before this time, such as in the 1757 novel Tristam Shandy or Edgar Allen Poe’s precursor style in “The Tell-Tale Heart” and other works. In general, however, it’s considered a modern style.

Stream of consciousness can be found in literature from different cultures and languages. Stream of consciousness examples can be found in the works of French writer Marcel Proust, Indian writer Salman Rushdie, Irish writer James Joyce, Italian writer Italo Svevo, Mexican writer Roberto Bolaño and contemporary American novelist Dave Eggers. Authors use stream of consciousness to more closely follow a character’s interior life. Stream of consciousness gives a very direct view into the subtle and sometimes rapid shifts in the way a character thinks while going about his or her day. This provides a very intimate relationship between the reader and the character.

Examples of Stream of Consciousness in Literature

Example #1

I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind?   Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

(“The Love Song of J. Alfred Prufrock” by T.S. Eliot)

This is one of the early examples of stream of consciousness writing from the twentieth century (it was published in 1915). T.S. Eliot explores his narrator’s inner life throughout the poem, moving from one thought to the next quickly. The above excerpt shows several different thoughts within the space of just a few lines. However, the use of stream of consciousness in this poem belies a real depth of feeling, as the narrator seems to want to make himself understood throughout the poem and struggles with that connection.

Example #2

I could hear Queenie’s feet and the bright shapes went smooth and steady on both sides, the shadows of them flowing across Queenie’s back. They went on like the bright tops of wheels. Then those on one side stopped at the tall white post where the soldier was. But on the other side they went on smooth and steady, but a little slower.

(The Sound and the Fury by William Faulkner)

One of the characters in William Faulkner’s novel The Sound and the Fury is Benjy, a cognitively disabled man. His section of the novel is written in a stream of consciousness style, documenting Benjy’s sensory experiences of the world without the advantage of being able to really understand them. In this excerpt, Benjy describes moving in a carriage and Faulkner imagines the details that stream though Benjy’s mind as he has this experience.

Example #3

For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can’t be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life.

(Mrs. Dalloway by Virginia Woolf)

In the above example of stream of consciousness from Virginia Woolf’s Mrs. Dalloway, the character of Clarissa is walking to a flower shop. She is noticing beauty around her and feeling happy to be alive. In her happiness she thinks of how a homeless person might be able to see the same things and feel the same happiness. Woolf uses stream of consciousness here as a bit of foreshadowing; Clarissa’s husband will later see a homeless woman on the street and have a different impression than Clarissa does here. By introducing the reader to Clarissa’s thoughts here on this matter, the reader later is able to understand more of the significance of her husband’s different views.

Example #4

Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

(Ulysses by James Joyce)

The above excerpt is the famous conclusion to James Joyce’s monumental work of stream of consciousness, Ulysses. In it, the character Molly is seemingly reflecting on accepting a marriage proposal from Bloom, her husband. The lack of punctuation or stops and starts is characteristic both of Joyce’s writing style and stream of consciousness in general. The repetition of the word “yes” is the connective tissue between all of Molly’s disparate thoughts.

Test Your Knowledge of Stream of Consciousness

1. Choose the correct stream of consciousness definition from the following statements:
A. A linear flow of thoughts with obvious associations between one idea and the next.
B. A narrative device which mimics the chaos of natural thoughts patterns that often lacks obvious connections.
C. A form of writing with clear rhythm, pattern, and rhyme scheme.

Answer to Question #1Show

Answer: B is the correct answer.

2. How are free writing and stream of consciousness different?
A. They are synonyms—there are no differences.
B. Free writing is polished writing that reflects an author’s best work while stream of consciousness is random words strung together.
C. Stream of consciousness is a highly stylized form even though it appears random, while free writing is an author’s first draft of writing that doesn’t attempt to be polished.

Answer to Question #2Show

Answer: C is the correct answer.

3. Having read the above example of Virginia Woolf’s stream of consciousness style, which of the following quotes would you guess also comes from Mrs. Dalloway?

All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was!-that it must end; and no one in the whole world would know how she had loved it all; how, every instant . . .


There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, nothing to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.


Saying more might push them both to a place they couldn’t get back from. He would keep the rest where it belonged: in that tobacco tin buried in his chest where a red heart used to be. Its lid rusted shut.

Answer to Question #3Show

Answer: A is the correct answer. B is an excerpt from Harper Lee’s To Kill a Mockingbird and C is an excerpt from Toni Morrison’s novel Beloved.

Stream of Consciousness Definition

What is stream of consciousness? Here’s a quick and simple definition:

Stream of consciousness is a style or technique of writing that tries to capture the natural flow of a character's extended thought process, often by incorporating sensory impressions, incomplete ideas, unusual syntax, and rough grammar.

Some additional key details about stream of consciousness:

  • Stream of consciousness writing is associated with the early 20th-century Modernist movement.
  • The term “stream of consciousness” originated in psychology before literary critics began using it to describe a narrative style that depicts how people think.
  • Stream of consciousness is used primarily in fiction and poetry, but the term has also been used to describe plays and films that attempt to visually represent a character's thoughts.

Understanding Stream of Consciousness

Stream of consciousness writing allows readers to “listen in” on a character's thoughts. The technique often involves the use of language in unconventional ways in an attempt to replicate the complicated pathways that thoughts take as they unfold and move through the mind. In short, it's the use of language to mimic the "streaming" nature of "conscious" thought (thus "stream of consciousness"). Stream of consciousness can be written in the first person as well as the third person.

What Makes Stream of Consciousness Different?

Traditional prose writing is highly linear—one thing or idea follows after another in a more or less logical sequence, as in a line. Stream of consciousness is often non-linear in a few key ways that define the style: it makes use of unusual syntax and grammar, associative leaps, repetition, and plot structure.

  • Syntax and grammar: Stream of consciousness writing does not usually follow ordinary rules of grammar and syntax (or word order). This is because thoughts are often not fully formed, or they change course in the middle and become "run-on sentences," or they are interrupted by another thought. So grammar and syntax can be used to replicate this process in ways that aren't grammatically or syntactically "correct," but that nonetheless feel accurate.
    • For instance, in Death in Venice, Thomas Mann uses subtly irregular syntax and grammar to help convey his main character's gradual descent into madness as part of a stream of consciousness passage that begins: "For beauty, Phaedrus, take note! beauty alone is godlike and visible at the same time."
    • Additionally, writers of stream of consciousness often use punctuation in unconventional ways (using italics, ellipses, dashes, and line breaks to indicate pauses and shifts in the character's train of thought).
  • Association: Stream of consciousness also makes use of associative thought. In this style of writing, writers transition between ideas using loose connections that are often based on a character's personal experiences and memories. The idea is that this technique helps writers convey the experience of human thought more accurately than they could by using  a series of ideas connected with clear, logical transitions. Associative thought can seem "random" as it leaps from one thing to the next, with the help of only ambiguous or seemingly nonexistent connections, even as it can also feel similar to the actual random leaps that are a part of people's everyday thoughts.
    • As an example, characters' thoughts are often presented to the reader in response to sensory impressions—fragmented observations describing what the character sees, hears, smells, feels, tastes, and so on.
  • Repetition: Writers might use repetition to indicate that the character keeps coming back to, or is fixating on, a certain thought or sensory impression. Repeated words and phrases can act as a sign posts, pointing readers towards significant themes and motifs.
    • For example, if a character's mind is constantly returning to the scent of a woman's perfume, the reader might conclude that the character is fascinated by or attracted to that woman.
  • Plot structure: Many writers who employ stream of consciousness also experiment with structure, incorporating elements like multiple unreliable narrators or a nonlinear plot structure (i.e., one that moves forward and backward in time).
    • Some writers shift rapidly between the perspectives of different characters, allowing readers to experience the “stream of consciousness” of multiple people. For example, in one chapter of his novel Sometimes A Great Notion, Ken Kesey alternates between the thoughts, emotions, and impressions of several characters (including a dog), using italics and different styles of punctuation to indicate which character is thinking each word, phrase, or sentence.
    • Some writers may also choose to arrange events out of chronological order, or to give readers details about the past through a character’s memories. In The Sound and the Fury, William Faulkner conveys many important events and details through memories that arise as part of his different characters’ streams of consciousness.

Stream of Consciousness in Literary History

The term “stream of consciousness” originated in the 19th century, when psychologists coined the term to describe the constant flow of subjective thoughts, feelings, memories, and observations that all people experience. Beginning in the early 20th century, however, literary critics began to use “stream of consciousness” to describe a narrative technique pioneered by writers like Dorothy Richardson, Marcel Proust, James Joyce, and Virginia Woolf. Many of these writers were interested in psychology and the "psychological novel," in which writers spend at least as much time describing the characters’ thoughts, ideas, and internal development as they do describing the action of the plot.

Stream of Consciousness vs. Interior Monologue 

Both interior monologue and stream of consciousness involve the presentation of a character's thoughts to the reader. However, there are differences between the two.

  • In interior monologue, unlike in stream of consciousness, the character's thoughts are often presented using traditional grammar and syntax, and usually have a clear logical progression from one sentence to the next and one idea to the next. Interior monologue relates a character's thoughts as coherent, fully formed sentences, as if the character is talking to him or herself.
  • Stream of consciousness, in contrast, seeks to portray the actual experience of thinking, in all its chaos and distraction. Stream of consciousness is not just an attempt to relay a character's thoughts, but to make the reader experience those thoughts in the same way that the character is thinking them.   

Stream of Consciousness Examples

Stream of consciousness became widespread as a literary technique during the Modernist movement that flourished in the years just before and then after World War I (the early to mid 20th century). Even as Modernism gave way to other movements, it remained as a technique, and is still used not infrequently today. 

Stream of Consciousness in Mrs. Dalloway by Virginia Woolf

Virginia Woolf is known for using stream of consciousness in her writing. The novel Mrs. Dalloway follows the thoughts, experiences, and memories of several characters on a single day in London. In this passage, the title character, Clarissa Dalloway, watches cars driving by:

She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day. Not that she thought herself clever, or much out of the ordinary. How she had got through life on the few twigs of knowledge Fraulein Daniels gave them she could not think. She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed; and yet to her it was absolutely absorbing; all this; the cabs passing; and she would not say of Peter, she would not say of herself, I am this, I am that.

Woolf does more than simply say "Mrs. Dalloway watched the taxis and thought about her life." Rather, she lets the reader into the character's thoughts by using long sentences with semicolons to show the slow drift of ideas and the transitions between thoughts. Readers are able to watch as Mrs. Dalloway's mind moves from observations about things she is seeing to reflections on her general attitude towards life, and then moves on to memories from her childhood, then back to the taxi cabs in the street, and finally to Peter, a former romantic interest. This is an excellent example of using associative leaps and sensory impressions to create a stream of consciousness. Woolf manages to convey not only the content but the structure and process of Mrs. Dalloway's thoughts, a fact which is all the more impressive because she does so while writing in the third person.

Stream of Consciousness in Beloved by Toni Morrison

Toni Morrison uses stream of consciousness in passages throughout Beloved. In this passage, readers hear the voice of a character named Beloved who seems to be the spirit of the murdered infant of another character named Sethe:

I am alone    I want to be the two of us    I want the join    I come out of blue water after the bottoms of my feet swim away from me    I come up    I need to find a place to be    the air is heavy    I am not dead    I am not    there is a house    there is what she whispered to me    I am where she told me    I am not dead    I sit    the sun closes my eyes    when I open them I see the face I lost    Sethe's is the face that left me    Sethe sees me see her and I see the smile    her smiling face is the place for me    it is the face I lost    she is my face smiling at me

Morrison doesn't use proper capitalization or grammar throughout the passage (e.g., "join" is used as a noun). In the place of punctuation, Morrison simply inserts gaps in the text. She also makes use of repetition: when Beloved repeats the words, "I am not dead," she seems to be willing herself to live through a kind of mantra or incantation. Morrison uses run-on sentences and lack of punctuation to show the frantic urgency that Beloved feels when she finds herself alone in death, and to convey her deep desire to be reunited with Sethe—effectively letting readers "listen in" on her thoughts.

Stream of Consciousness in The Love Song of J Alfred Prufrock by TS Eliot

Modernist poet TS Eliot uses stream of consciousness techniques in his famous poem, "The Love Song of J Alfred Prufrock." 

I grow old ... I grow old ...
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

The poem generally follows traditional grammar and syntax, but Eliot moves from idea to idea and sentence to sentence using associative thought. For example, when he thinks of walking on the beach, he is reminded of mermaids. And while it's not immediately clear what peaches and mermaids have to do with old age, the passage shows readers something about how the speaker's mind wanders.

Stream of Consciousness in As I Lay Dying by William Faulkner

Like Virginia Woolf, William Faulkner is known for his use of stream of consciousness. In this passage from his novel As I Lay Dying, the character Jewel expresses his frustration that, as his mother is dying, his half-brother is noisily building her a casket just outside her window. 

Because I said If you wouldn't keep on sawing and nailing at it until a man cant sleep even and her hands laying on the quilt like two of them roots dug up and tried to wash and you couldn't get them clean. I can see the fan and Dewey Dell's arm. I said if you'd just let her alone. Sawing and knocking, and keeping the air always moving so fast on her face that when you're tired you cant breathe it, and that goddamn adze going One lick less. One lick less. One lick less until everybody that passes in the road will have to stop and see it and say what a fine carpenter he is. If it had just been me when Cash fell off of that church and if it had just been me when pa laid sick with that load of wood fell on him, it would not be happening with every bastard in the county coming in to stare at her because if there is a God what the hell is He for. It would just be me and her on a high hill and me rolling the rocks down the hill faces and teeth and all by God until she was quiet and not that goddamn adze going One lick less. One lick less and we could be quiet.

The repetition of the phrase "one lick less" helps convey the way Jewel seems to bristle at the repetitive noises made by the saw and the adze outside the window, each noisy "lick" a reminder of his mother's impending death. His sentences also take strange turns and arrive at unexpected places, as when he begins a sentence with a memory of Cash falling off a roof, moves on to lament the constant train of visitors to his mother's room, and ends quite memorably by asking (without the use of a question mark) "because if there is a God what the hell is He for." The passage is incredibly effective at depicting the dizzying range of thoughts and emotions Jewel experiences as he visits the room of his dying mother.

Why Do Writers Use Stream of Consciousness?

Stream of consciousness originated in the late 19th and early 20th century as part of modernist literature. Many of the writers who pioneered the use of stream of consciousness were attempting to create new literary techniques to better represent the human experience—especially in a modern, urban, industrialized world. Today, writers who use stream of consciousness may feel that this technique is more honest or "true to life" than more conventional narrative styles, which force thoughts and ideas into logical and easily digestible sentences.

Writers use stream of consciousness not only to show what a character is thinking, but to actually replicate the experience of thinking, which allows the reader to enter the mind and world of the character more fully. Many people find stream of consciousness writing to be difficult to read, and indeed it does require readers to think in different ways—but this is actually one reason why many writers choose to use the technique. Readers may have to work a bit harder to discern the meaning of a particular sentence, or make inferences about the relationship between seemingly unrelated thoughts in order to fully understand the events of the story, but this is what makes reading stream of consciousness a rich and radically different experience from reading conventional prose.

Other Helpful Stream of Consciousness Resources

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